"The Key of Oblivion"


The air was thick and humid, smelling of wet stone, fallen leaves, and the sweet smoke wafting from the chimneys of nearby cafes. October 14th was caught somewhere between autumnal tenderness and pre-winter chill; at two o'clock in the afternoon, the cottony gray sky was already beginning to sag toward early twilight. The city, spread out at the foot of the hill, was in a state of tranquil melancholy. The newest cars glided silently over the cobblestones, their glossy bodies reflecting the blinking LED lights of advertising banners on the walls of buildings. Somewhere in the distance, the bells of ancient, weather-beaten trams jingled. Everything here was imbued with duality: modernity did not displace the past, but merely rubbed against it, creating a bizarre, not always comfortable, symbiosis. And through this idyllic scene, like a low-voltage current, ran a subtle but inexorable sense of tension. Anticipation. As if someone invisible were holding their breath.

Above all this, the Castle reigned. It did not soar like Gothic chimeras, but sat heavily and firmly on the summit, ingrained into the hill like a dark-gray basalt giant. Its squat towers and walls, pierced by narrow loopholes, looked down on the bustle below with the cold indifference of centuries. It was older than the city, and within its stone womb lurked a secret whose antiquity eclipsed even its own. They say that when it was built, they already knew something beyond the reach of history. That its foundation rested on something ancient, perhaps not even intended for human eyes. Tourists wandering the courtyards and galleries, historians hunched over museum display cases, and even monks from the local order who found refuge in one of the towers - all were but fleeting shadows on its face.

Inside, behind the thick walls, a noble simplicity reigned. Halls converted into museum exhibits stood next to blank, tightly locked doors. Vaulted ceilings, knightly armor, faded tapestries - everything breathed the era of the Crusades and ducal banquets. But a keen eye might have noted oddities: a curlicue repeating an unfamiliar constellation; a bas-relief depicting a creature resembling neither a lion nor a griffin; stonework in one of the nooks, composed of a different shade and texture, as if built into the wall much later, but using some unknown, forgotten technology. These details lay in plain sight, but their enigmatic language remained silent to visitors. Even caretakers who had been wandering the familiar routes for decades admitted that it was possible to get lost in the north wing by turning through the wrong arch, and that maps of those levels were either lost or intentionally not compiled.

The monks, in their simple, dark robes, were as much a part of the castle as the stone gargoyles on the gutters. They moved leisurely through the corridors, assisting tourists, collecting donations, and their presence brought a note of detached calm to the atmosphere. But sometimes, in the silence of the empty halls, their figures, frozen before the ancient frescoes, seemed not simply guardians of the faith, but guardians of something far more weighty and silent.

The city at the foot of the mountain lived its own life, but it, too, was full of strange harmonies. Churches, devoid of their soaring Gothic spires, stood squat and solid, their Romanesque arches and thick walls reminiscent of fortresses. New glass and concrete buildings somehow miraculously echoed their laconic power, creating the effect of a seamless transition between eras. A cozy park with an ancient obelisk in the center could border on an ultra-modern business center, and the line was so blurred that it was sometimes difficult to tell which came first.

And beneath the earth, beneath this layered pie of history, lay other labyrinths - a modern subway, shadow-swarming sewers, and, if urban legends are to be believed, ancient catacombs that led from the very foundations of the castle through the dark depths to a distant forest and a sluggish river. The secret wasn't hidden in secret rooms. It was everywhere - in the stone, in the air, in the very fabric of the city, awaiting only those who could discern the pattern beneath the motley fabric of everyday life.

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